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Department of
Near Eastern Home Interesting Links |
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Roger Allen
is currently (2009)
the Sascha Jane Patterson Harvie Professor of Social Thought and
Comparative
Ethics in the School of Arts & Sciences at the University of
Pennsylvania,
the Ivy-League institution founded by Benjamin Franklin in 1740 in
Philadelphia. He is Professor of Arabic
and Comparative Literature in the Department of Near Eastern Languages
&
Civilizations, and since 2005 has been Chair of the Department. In 2008 he was elected President-elect of the
Middle East Studies Association of North America (MESA).
He will be the association’s president in the
year 2009-2010. He obtained
his doctoral
degree in modern Arabic literature from In 1968 Roger
Allen emigrated
from his native-city of In the late
1960s Roger Allen
began to concentrate his research on modern Arabic fiction. He began by translating a collection of short
stories by Naguib Mahfouz, God’s World (1973, in conjunction
with Akef
Abadir), that being the collection mentioned in the published citation
of the Nobel
Literature Prize Committee in 1988 (Roger Allen was centrally involved
in the
nomination process itself—see the article “Arabic Literature and the
Nobel
Prize,” in World Literature Today—“A Nobel Symposium”, Winter
1988). He has also translated into
English Mahfouz’s Autumn Quail (1985), Mirrors (1st
edition, 1977; 2nd edition 1999), Karnak Café
(2007), Khan
al-Khalili (2008) and One Hour Left (2010).
He has also published many individual studies
of works by Mahfouz. In addition to the
fiction of Mahfouz, he has also translated (and worked closely with)
Jabra
Ibrahim Jabra (The Ship, and In Search of Walid Masoud,
both
translated in conjunction with Adnan Haydar), Yusuf Idris (the
collection of
stories, In the Eye of the Beholder, and also a volume of
studies, Critical
Perspectives on Yusuf Idris), `Abd al-rahman Munif (Endings),
Mayy
Telmissany (Dunyazad—short-listed in England for the prize for
the best
translated novel of 2000), BenSalim Himmich, The Polymath
(2004) and The
Theocrat (2005), Ahmad al-Tawfiq, Abu Musa’s Women Neighbors (2006),
and Hanan al-Shaykh, The Locust and
the Bird (2009). In 1978 Roger
Allen delivered
at the University of Manchester in England a series of lectures on the
Arabic
novel that were subsequently published as a book in 1982, The
Arabic Novel:
an historical and critical introduction (1st edition
1982,
Arabic edition, 1986; 2nd edition 1995, 2nd
Arabic
edition 1998). This book has been widely
used throughout the world as an introduction to the novel genre in the
Arab
world, and it is also used at several Arab-world universities. Beyond this book-length study, he has also
prepared a very large number of individual articles on modern Arabic
fiction,
novels, novellas, and short-stories, that have appeared in journals,
festschrifts, and conference volumes (and in both English and Arabic). In 1988
Cambridge University
Press consulted with Roger Allen about the future of the series of
volumes, The
Cambridge History of Arabic Literature, after the initial volume
had been
heavily criticized. As a result of
discussions, the principles used in organizing the series were
significantly
altered. In particular, Roger Allen
himself became the editor of the volume in that series, The
Post-Classical
Period (2006), on Arabic culture’s most problematic era, that
between
(approximately) 1150 and 1850, a huge period of time about which not
only is
little known but also “critical” verdicts are colored by the
application of
questionable esthetic principles. In the
same year, Cambridge University Press posed him the ultimate challenge:
to
write a one-volume study of the Arabic literary tradition as a whole. The work on this volume took five years, and
appeared in full form as The Arabic Literary Heritage in 1998
(and in
abbreviated paperback form in 2000, as Introduction to Arabic
Literature;
an Arabic version of the smaller version was published in Cairo as Muqaddima
li-al-adab al-`Arabi in 2003). This
work has been extremely well received, and many scholars now regard it
as the
standard work in the field. Roger Allen
has served as an
editor of several journals, including the Journal of Arabic
Literature, Literature
East and West, and Al-`Arabiyya, and was Arabic editor of
the series
of encyclopedia volumes, World Literature in the 20th
Century
(New York, Ungar). For the same press
(Ungar Publications) he produced a large English anthology of critical
writings
in Arabic on modern Arabic literature, Modern Arabic Literature
(Library
of Literary Criticism, 1987). He is
currently Executive-Editor (with Professor Van Gelder of Between 2008
and 2009, his
former students participated with the editors of three of the journals
with
which Roger Allen has been associated—Middle Eastern Literatures,
Al-`Arabiyya,
and the Journal of Arabic Literature—in the publication of a
series of
literary studies and translations in the form of a three-part festschrift. Roger Allen
has maintained
close contacts with litterateurs in the Arab world.
He has been a frequent visitor to Cairo and
the conferences of Al-Maglis al-A`la li-al-Thaqafa, and he has also
been
involved in the activities of the University of Tunis at Manouba (PhD
supervision) and a number of universities in Morocco, including those
of Muhammad
V in Rabat, Fez, Oujda, Casablanca, Muhammadiyya, and Kenitra. His
current research interests are focused on a number of issues within the
broader
field of Arabic literature: the problems of evaluation of literary
works within
the complexities of a post-colonial situation; the urgent need to
rewrite the
literary history of most regions of the Arab world to reflect new
understandings concerning the relative significance of different
cultural
trends; and the status of the fictional genres in the Arab world in the
new era
of alternative means of publication and indeed new “media”. Above all, it is Roger Allen’s hope to
maintain and increase the kinds of academic, scholarly, and personal
contact
between Western specialists and Arab writers and critics, that being
the most
important development to have occurred during the course of his now
42-year
long career. Roger
Allen’s avocations focus primarily on music. He plays both piano and
organ, and
for 26 years (1974-2000) was organist-choirmaster of St. Mary’s Church,
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